Femme The Movie

musicwoman:

Watch FEMME THE MOVIE

Originally posted on MUSE2013:

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Femme “A celebration of women around the world actively transforming and healing our global society. Sharon Stone and leading experts in religion, science, history, politics and entertainment, discuss solutions to the multiple crisis’ we are faced with. Femme focuses on utilizing a feminine approach with nurturing energy to inspire a new hope for the future.”

We need 100 signatures on this petition ASAP

www.change.org/petitions/women-in-jazz-south-florida-inc-hold-a-symposium-on-women-in-arts

Join our FB page: www.facebook.com/symposiumonwomeninarts

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Symposium on Women in Arts

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These points people need to be aware of:
  • Women benefit from 1-5% of public funding of the Arts. WIMUST Report
  • Women pay 53% of the taxes on the planet but make 64-75 cents on the dollar men make
  • Women contribute 93% of their income to their families. Men contribute 43% to their families.
  • Of 134 NEA Jazz Master Awards since 1982 with a $25,000 honorarium, only 15 women received this award
  • Lilly Ledbetter’s Fair Pay Restoration Act, signed by Pres. Obama in 2009 does not include women musicians
This is the interview that I talk about why I founded Women in Jazz South Florida, Inc.
Check out these women, also:
  1. Girls In The Band a film by Judy Chaikin interview on my show MUSICWOMAN Radio
  2. Ellen Seeling, Montclair Women’s Big Band (CA) See this video I made of interview on KCBS with Ellen Seeling:
  3. Dotti Anita Taylor former President of IWJ (NY)
  4. Nicki Mathis, founder of The Many Colors of Women (Conn.)
  5. Janice Rhoshalle Littlejohn, filmmaker
  6. Patricia Adkins-Chiti, President of Fondazione Adkins-Chiti: Donne in Musica and photos of women composers in Europe last July 2014 at the WIMUST Conference
  7. See the WIMUST Report
On May 2, in Atlanta, I will be honored as the Lady Jazz Master @ www.bwijawards.com
(PLEASE VOTE FOR ME as composer and for our 4th Compilation CD at this link: http://www.bwijawards.com/final-voting.php)
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Blues Women: First Civil Rights Workers

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The African voice inspired instrumentalists.  Vocalese was a dialogue between vocalists and instruments.  Each person had an individual sound and instrumentalists imitated the voice’s cries, growls, moans, slurs, whispers, shouts and wails.  Blues was the element of American subculture created by enslaved Africans, singing European music.  Considered crude by classical listeners, Blues liberated singers from precise pitch and calculated rhythms of European music.  Black singers emerged from Spirituals and Blues to develop Jazz.  Their free-spirited songs delivered messages of liberation, signaling to Africans in America that they could be free.  Blues women were the first civil rights workers because their songs symbolized liberty in its rawest form by tapping into the human spirit.  Angela Davis recounted Marx and Engles’ observation that art as “a form of social consciousness [awakens] . . . those affected by it to . . . transform their oppressive environments” (Davis, 1999).  Blues were popularized by Gertrude “Ma” Rainey (Columbus, GA, September, 1882 – December 22, 1939), The Mother of the Blues (Cartwright, 2008, p. 9).  A spokesperson for black people, she was a hero to them.  She recorded hundreds of songs on Paramount, putting that recording company on the map.  The most popular Blues singers established a rapport and rhetoric with the crowd.  Ma Rainey took Bessie Smith under her wing and Blues tradition developed as one followed another.

References

Cartwright, J. (2008).  Amazing Musicwomen.  FYI Communications, Inc.

Davis, A.Y. (1999).  Blues legacies and black feminism. New York: Random House.

©2014 Joan Cartwright, M.A.

Equal Public Funding of Women’s Music

art davisThere is an elephant in the room where decisions are made to fund music ensembles composed of all men, who receive salaries of $100,000, annually, to tour the world and perform Jazz music, in particular.  In this video, Ellen Seeling mentioned that advocacy for the end of racism in the music industry, especially in orchestras, was initiated by bassist Art Davis. Though he lost the 10-year suit against the NY Philharmonic, his advocacy set a precedent for selection panels to use blind auditions, which led to the increase in the number of women and people of color in orchestras.

The issue of gender discrimination is a beast and women should have SOUR GRAPES about being marginalized in the ARTS.  It’s not just a PERSONAL BEEF. It’s not just HER cause, it’s OUR cause. All the women musicians and composers on EARTH who have been omitted from the annuls of musicians, music, and earning a living the way 95% of the people – men – in the MUSIC INDUSTRY do from OUR TAX DOLLARS. Mike Rubenstein This should be a CLASS ACTION SUIT against NEA and every federally-funded ARTS program that does not benefit women who pay taxes.  Women are barred from earning the income that men earn in publicly-funded orchestras and bands.  THAT is the problem and women should make a LOUD noise, since it is their tax dollars that fund all-male ensembles.

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The solution is to grant the Montclair Women’s Big Band public funding in the amount of $2,500,000 to enable band members to earn $100,000, annually, to tour the world. [Solution #1 suggested by Joan Cartwright, Founder of www.wijsf.org]

Women in Jazz South Florida, Inc. is 501(c)(3) non-profit corporation that promotes women musicians, globally. WIJSF is a membership organization with dues-paying members that support women’s music in Florida and around the nation and the world.
Grant WIJSF $75,000,000 to build an Archive of Women’s Music with a theater and staff that will be responsible to identify and contract professional women musicians, composers, and ensembles to perform, facilitate workshops, and write music for events, film, television, radio, advertisement, and other musical endeavors. [Solution #2 suggested by Joan Cartwright, Founder of www.wijsf.org]

Music & Motherhood

musicwoman:

Music the sound of the spheres begins in the womb!

Originally posted on Musicwoman Mazagine:

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I have two wonderful children. My son just turned 50 this month. He sings well but only in the shower. When he was an infant until he was two, we listened to THE SOUND OF MUSIC every morning! He just loved it.

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My daughter is 48 and has followed in my footsteps. She is a vocalist, songwriter, producer, actress, playwright, and WEB TV host.

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Neither one of my children are introverts. They are really comedians and bring a lot of joy to those around them. When they were teenagers, I practiced piano and composed most of my songs, while they tended to my mother, who was incapacitated. They would be upstairs and I’d be in the living room, downstairs. You couldn’t hear a pin drop, most of the time. I think they enjoyed my playing. There was a lot of peace in our home.

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www.joancartwright.com  |  Diva & Daughter

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Women in Film Music

My PhD coursework in Business Marketing led me to the conclusion that women are not reaping much financial rewards from composing film music. At http://www.wijsf.com/mission.htm, it is our mission to promote women musicians, globally.  We have produced 4 compilation CDs of women’s music.

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Perhaps, these reports from RB’s Stage 32 News, on women in film will back up my conjecture that there are great opportunities for women in the film music industry: