Jazzwomen Directory

To date, 96 women are listed in our Jazzwomen Directory

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Feel free to click on the links, watch the videos of our Amazing Musicwomen Presentation, and please share with others.

Join our global organization that promotes women musicians:

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Listen to the archives of over 275 podcasts with women composers:

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Listen and purchase our 6 CDs of women composers:

 

 

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I AM JAZZ

Of course Jazzmen are dynamic.  So are Amazing Musicwomen!

jazzmen womeninjazz

Freddie Hubbard is an icon!  He recorded my tune SWEET RETURN (1983) and put it in his Song Book making me historical (herstorical). I sat at the feet of Miles, Diz, Buhaina, Shepp, Yusef, Rahsaan, McCoy, and Ron Carter, learning all I could about the art of improvisation. I sat with Helen Morgan 3 years before she shot Lee. I AM JAZZ!

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Joan Cartwright, Freddie Hubbard, Jerry (owner of Allotria in Munich, Germany) Jeff Chambers, lady, Ronnie Matthews circa 1993

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I’ve been in conversations with Ella, Betty Carter, Irene Reid, Ruth Brown, Abbey Lincoln, and Dorothy Donegan. I was THERE at the Blue Note, Slugs in the Far East (Village) with Lee Morgan, Buhaina, Miles, Frank Foster, Charles McPherson, Bill Hardman and Joe Lee Wilson, Village Gate, at the Galleon (Bronx), and the Village Vanguard with Lou Donaldson, Dr. Lonnie Smith who recorded my first demo tape with me that got me gigs all over the European continent. Ellington’s bass player Aaron Bell first listened to my tune “Loneliblue” and said the musicians would love playing it.

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Joe Lee Wilson and Joan Cartwright, Brighton, England

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With Lou Donaldson at Jazz Inn, London, UK

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Joan Cartwright and Dorothy Donegan, Marian’s Jazz Room, Bern, Switzerland (1996)

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Abbey Lincoln and Joan Cartwright, Montreux Jazz Festival (1993)

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Joan Cartwright and Betty Carter, IAJE Conference, El Paso, TX, 1993

In Philly, Gerald Price taught me composition and piano, and in New York, Barry Harris was my teacher on piano and vocals. Budd Johnson was my babysitter from 4-8 years old. Milt Hinton (The Judge) was my cousin’s Godfather and he got me my first gig in Berne, Switzerland, at Marion’s Jazz Room, in 1990. I sat on Jay McShann’s lap and asked him to marry me. I proposed marriage to Quincy Jones just before I interview him for my Master’s Thesis, The Cultural Politics of Commercial Jazz, in 1993, which explained why I had to go to Europe (1990-1998) to make a living. In July 2013, I gave my book A History of African American Jazz and Blues to Quincy with the interview I did of him in 1993, 20 years earlier, in the exact same building – Stravinsky Hall, in Montreux, Switzerland [photo].

I AM Jazz!

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With Quincy Jones, Montreux Jazz Festival, Switzerland, at Claude Nobs’ Chalet, 1993

I am the Chronicler of this music. While everyone else was PLAYING, I was documenting it. I met Quincy Troupe, co-writer of Miles’ biography. I penned lyrics to A NIGHT IN TUNISIA, TUNE UP, BLUE BOSSA, and BESSIE’S BLUES and sang them all over Europe, the East Coast of the USA, and in China and Japan. I Am the female Jazz Messenger, who sang on Jazzmobile with Buhaina, Frank Foster, Frank Wes, George Coleman, and Charles McPherson. The first person to take me on the road was Philly Joe Jones, who took me to Baltimore to perform with Shirley Scott, Arthur Harper (bass), and Sonny Stitt, in 1978. I AM the only woman in the world with a Jazz and Blues Song Book that I submitted to the Guinness Book of Records.

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Google me – www.joancartwright.com. But, more importantly, I am the foremost authority on Women in Jazz and Blues and I will not be quieted about the role of women as the Mothers of the Blues and the innovators of Jazz.  That’s why, in 2007, I founded www.wijsf.org to promote women musicians, globally! That’s why, since 2008, I’ve interviewed over 200 women composers at www.blogtalkradio.com/musicwoman

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That’s why I created the Jazzwomen Directory  that features 90 women musicians that most musicians, let alone people, do not know about and I put 40 of them in my book Amazing Musicwomen that I taught over 10,000 students (3-12 grade and college) in the U.S., Switzerland, Sicily, China, and Japan about.

I AM JAZZ!

Hear me SCAT!

Joan Cartwright and Dizzy Gillespie, Sunfest, West Palm Beach, FL 1985

Joan Cartwright and Dizzy Gillespie, Sunfest, West Palm Beach, FL 1985

READ my books:

In Pursuit of a Melody by Joan Cartwright  In Pursuit of a Melody

 

www.joancartwright.com

 

Women in Film Music

My PhD coursework in Business Marketing led me to the conclusion that women are not reaping much financial rewards from composing film music. At http://www.wijsf.com/mission.htm, it is our mission to promote women musicians, globally.  We have produced 4 compilation CDs of women’s music.

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Perhaps, these reports from RB’s Stage 32 News, on women in film will back up my conjecture that there are great opportunities for women in the film music industry:

END PATRIARCHY NOW: MESSAGES IN WOMEN’S MUSIC

newmembers-wijsf13WAKE UP WOMEN. Understand how you are controlled!

The main issue is that women who are not musicians do not consider this an important cause. It is very important because society gets its messages from cultural producers and, if women’s music is not being heard and received, then society-at-large is losing all the way around. While women in other professions make 75 cents to the dollar that a man makes, women musicians only make 64 cents. GET IT? This is how the patriarchy continues – by blocking the messages in women’s music. WAKE UP WOMEN. Understand how you are controlled.

Help us to promote the music of women composers and musicians, who are terribly marginalized in the $27.5 billion music industry.

Did you know that, although women pay 53% of the taxes on Earth, only 1-5% of public funding goes to women musicians and their musical projects?

This is UNACCEPTABLE and it is the MAIN reason why society is off kilter because the messages in women’s music are not being heard by the masses that thrive on disturbingly violent video games, TV, film, and cable programming, loud and womanizing popular music, and overall patriarchal ideas.

If we as women do not promote our endeavors, who will? Join us in our mission to promote women musicians, globally, www.wijsf.com/mission.htm – www.wijsf.com/join.htm –

WAKE UP WOMEN. Understand how you are controlled!

This article discusses why women will not support each other in an effort to end patriarchy.

http://www.angelfire.com/ok/4equity/m2.html